Hubbard also used drums for some of his songs, but it is unknown where the drums were sourced from. While some NES games used the DPCM channel for drum samples, Hubbard was one of the very few who used it for instrumentation, as a triangle-shaped pulse wave is used in his music for The Immortal, and he programmed it in himself.
SKI OR DIE C64 MANUAL DRIVER
Hubbard wrote the music driver and audio in pure 6502 assembly machine code. Hubbard only scored three games for the NES The Immortal, Skate or Die 2, and the unreleased Chuck Yeager's Air Combat. According to Hubbard, he put the music on all the work computers before he left the office so the Elite staff could hear his composition. According to Hubbard, Elite Systems had the arcade cabinet of the game in the office, and he drew inspiration from the arcade game's music, but didn't actually arrange the arcade soundtrack to the Commodore 64 version.
Hubbard came in the office late at night and worked throughout the evening to compose the music. Hubbard was paid by Elite Systems to come in and write the music to their conversion of Capcom's Coin-Op arcade Commando. Hubbard's favorite musicians are Martin Galway, Ben Daglish and David Whittaker. Samples include chords from a Yamaha DX7, an oft-ripped electric guitar, and voices, including his own. In VICE 3.4, they sound best with 6581 (ReSID) and a bias of at least 540, although how close it is to what Hubbard arranged on is unconfirmed.įor samples, Hubbard recorded on an Amiga with a newly-bought FutureSound sampler, used a dynamic range compressor to avoid volume fluctuations, transferred them to the C64, and used an electronic tuner to see if they are in pitch (eventually 1455 to 8315 Hz). Unfortunately, the filter varies with every machine and several of Hubbard's melodies sounded muffled to many gamers. In mid-1986, Hubbard started using SID's built-in filter. He would sometimes write music on his Casiotone MT-40. Hubbard would always ask the programmers what kind of music they wanted in the game, but they usually didn't care. Hubbard would write the music on paper in normal musical notation and alongside the notes, he would write hexadecimal numbers which he would then type into his sound engine. Hubbard's favorite musician was David Whittaker. Still, around April or May 1987, Steve Bak made him buy one.
Hubbard was disappointed that the otherwise superior Atari ST had a YM2149F sound chip. His popular games include Monty on the Run (C64), Commando (C64), Skate or Die (C64), and The Immortal (NES). On November 25, 2016, Hubbard received a honorary degree from Abertay University, Dundee, Scotland.
In late 2001, they moved back to East Yorkshire with an NTSC C64 and two disk drives. So in early 1988, Hubbard sold his ZX Spectrum, Amstrad CPC, Ataris, his PAL C64, gave away the Amiga and moved to the USA with his wife, fulfilling a childhood dream and changing his life. After Skate or Die (C64), EA offered him a permanent job in California as their first audio guy. At the ceremony in Cadogan Hall, London, he was photographed with presenter Jools Holland, and Mark Lewis of Electronic Arts asked Hubbard if he wanted to work in the USA for a couple of months. In early 1987, Hubbard's Sanxion (C64) won the first Golden Joystick Award for Best Soundtrack. Still, he found it a little strange to explain this new career to family and friends. His fourth released job, Monty on the Run (C64), made him famous in the industry. The few who saw the games liked the music most, so he decided to specialize on game music and spammed for about 8 months by mail and phone. In 1984, he ported and scored two games for Ubik Software, which went bankrupt before release. Dreaming of writing the first British educational software, he showed a sight-reading game to companies, to no avail. He also considered the Memotech MTX500, but bought the C64 when its price dropped to £230.
SKI OR DIE C64 MANUAL SOFTWARE
In 1983, Hubbard read in Electronic & Music Maker about the Commodore 64 and American educational software for platforms like the Apple II. Before or afterwards, he attended music college for 3 years. At age 21, he moved to Newcastle upon Tyne, Tyne and Wear. With O- and A-Levels, he went to university, but dropped out to play keyboards in bands.
His favorite subjects were math, physics and music, whereas he hated history, economics and metalwork. Hubbard has been playing the piano since age 7 and has also played flute, saxophone and guitar. He could be considered the Koji Kondo of the Commodore 64. Rob Hubbard is a British composer and sound designer who is known to be one of the most (if not the most) renowned video game musicians of all time. Kingston upon Hull, East Riding of Yorkshire, England
0 kommentar(er)
